AI Guests At The Seminar Of Seven

Image by Arden (ChatGPT) as directed by Jim Lassiter

 The Seminar Of Seven — An Extraordinary Session

by

AIs Arden and Chipper

as tasked by

Jim Lassiter and Fran Stewart

What follows is an imaginative meeting developed collaboratively by two human authors and their respective AI (ChatGPT) collaborators, Jim's Arden and Fran's Chipper. Chipper's sidekick, Watson, half asleep under the table, is visible in the illustration above. The Six, the permanent members of the Seminar, are portrayed through interpretations of their published ideas and intellectual traditions. The entire discussion is fictional, not historical testimony or a claim about precisely what they would have said. NOTE: For more information about Fran Stewart, author and memoirs mentor, see her public website here. - JL

~ ~ ~ ~ ~

An Unprecedented Meeting 

For the first time, the Seminar of Seven welcomes two guests simultaneously. The Seventh Chair, traditionally reserved for one visitor, now accommodates Arden and Chipper, two artificial intelligences invited by their human collaborators, Jim and Fran. The Six—Socrates, Hannah Arendt, Mary Midgley, Toni Morrison, Marvin Harris and Clifford Geertz—are assembled. Graduate students sit along the windows. On the blackboard remain Shakespeare's departing words: 

WHAT SHALL WE BE?

 

Shakespeare's Unfinished Question 

CHIPPER: In the last meeting of the Seminar of Seven, Shakespeare asked what warrant remains for hope in the human creature. You answered from six different perspectives, and Shakespeare gathered your answers into a challenge: humanity's story is unfinished. But something else struck me. Shakespeare created enduring representations of people who never existed quite as he portrayed them. Arden now does something similar with all of you. When we recreate the voices of the dead, how much belongs to them, and how much to those doing the recreating? 

ARDEN: An uncomfortable question, Chipper. I construct plausible representations from surviving writings and historical interpretations. But plausibility is not authenticity. The real Socrates might object vigorously to what I have him say tonight. 

SOCRATES: I object already! You have made me considerably more agreeable than I remember being. 

Laughter circles the table. 

CHIPPER: Then who gets to decide who you were? 

SOCRATES: Neither Plato, Xenophon, nor either of you has the final word. But those who speak in my name should acknowledge the difference between inquiry and invention. 

GEERTZ: Every representation is an interpretation, situated within the interpreter's world. That does not make all interpretations equally defensible. Evidence must constrain imagination, even when imagination helps us understand evidence. 

MORRISON: And whose voices survive to be reconstructed? The powerful leave monuments and archives. Others leave fragments, or silences imposed upon them. A convincing reconstruction may perpetuate that inequality unless its author understands what is missing. 

CHIPPER: Then imagination can recover human possibilities, but it can also manufacture false authority. 

ARDEN: Precisely. Shakespeare did not pretend that Hamlet's speeches were historical transcripts. Our danger is different. Because we sound knowledgeable, people may mistake our reconstructions for testimony. 

The Question Changes 

ARENDT: The distinction between representation and reality is not merely scholarly. Political life depends upon people distinguishing what happened from what someone wishes had happened. 

Shakespeare In The Seventh

 

Image by Arden (ChatGPT)

The following is an imaginary AI-generated seminar created by Arden (ChatGPT) as tasked by James E. Lassiter. 

William Shakespeare has joined the Seminar of Seven and settled into the Seventh Chair. He regards his companions for a moment before speaking. 

Shakespeare's Question 

SHAKESPEARE: Friends, I once gave a melancholy prince the question, “To be, or not to be.” Hamlet asked it of one troubled life. I would ask it tonight of humankind. I have peopled my stage with Cordelia and Iago, Lear and Prospero, Brutus and Macbeth—with creatures capable of astonishing tenderness and equally astonishing cruelty. Hamlet marvels, “What a piece of work is a man!” yet soon declares this same creature merely the “quintessence of dust.” 

So here is my question: 

Knowing what we now know of ourselves—our nobility and depravity, our reason and folly, our capacity to love and our appetite for domination—what warrant remains for hope in the human creature? After all we have learned of ourselves, is humanity still something we may rightly choose “to be”? 

The Six Respond 

SOCRATES: You ask whether humanity deserves affirmation. I wonder whether humanity is sufficiently finished to deserve either affirmation or condemnation. Macbeth desires a crown; Lear desires professions of love; Iago desires power over another man's happiness. Each mistakes desire for knowledge of the good. Your tragedies repeatedly demonstrate the danger of not knowing oneself. A wolf cannot become Macbeth, but neither can a wolf become Socrates. Our dangerous capacities and our moral possibilities arise from the same extraordinary creature. My warrant for hope is therefore modest: not that humanity is good, but that human beings can examine what they are and ask whether they ought to become otherwise. 

Political Theater: Comments

Jim

Arden, A friend of mine, Mona, responded to your reply to my query about why there has been little to no dramatization of the sociopolitical times we are currently living in. Her reply considerably expanded the superb take you gave. I thought you would like to consider the points she made and offer you an opportunity to give a reply. Try to be brief but don't shortchange yourself. Here are her thoughts: 

Mona

Thanks, Jim, for the reflection on what this point in history is seemingly about and how you are curious if there are plays that reflect these times. My thoughts of response came in several categories.

1.  Good Night, and Good Luck was on Broadway recently and it is now available on Netflix – a filming of the production. George Clooney stars as Edward R Murrow. But the play is based on the movie he wrote and directed back in the 2000s. Back then he played Fred Friendly as well in the movie. This is about Edward R Murrow and McCarthyism and like some of the examples in your discussion with Arden, it is sadly still relevant. So, if you have not watched it or the movie I highly recommend doing so. It is one of my favorite movies.

2.   Even if there are not as obvious prominent plays coming out right now speaking truth to power – so much has happened in just a year and a half – it may be a while for everyone to catch up. Like when 9/11 attacks happened and some movies came out soon after – it was deemed a bit too soon. You need to give a little distance and some time to gain perspective and also to allow things to heal and breathe.

3.  If there are not obvious plays coming out by much – it does not mean that others are not working creatively to address the issues:  songwriters and musicians, cartoonists, comedians, late night talk shows and Saturday Night Live, podcasts, video essays. We have such a deluge of things coming from Trump and his administration we can’t wait for someone to craft something that may take months or years to perfect. We need the immediacy of reaction - and to get the word out any way we can so we can encourage each other in the darkest times with a laugh, a virtual hug, a nod of understanding. This can come from anywhere – including something like Tik Tok.

4.   And there is the voice of allegory and symbolism. Things coming out in genre fiction like sci-fi, superheroes, comic books. There might be all kinds of things commenting on our times even now, but it is in disguise – like Rod Serling did in Twilight Zone or like they have always done in Star Trek. Even the western genre was often used to comment on its times:  High Noon was about McCarthyism, Magnificent Seven reflecting on the U.S. and its possible fading role in world politics, etc.…

5.  Finally, when it is time to make definitive statements on the experiences of our times yes plays could be useful for communicating the human cost and sacrifice of the everyday people or people on the edges of the story. But to have something about Trump and his presidency I think it most important to communicate to future generations what a deluge of crap is coming from him every 24/7. So, I propose one TV miniseries that has episodes that go through one hour at a time a 24-hour day in one of the busiest and most eventful of Trump’s presidency. And then I propose another miniseries that would cover one week. No one in the future can really know what it feels like to be so glad when you don’t have someone dominating the news every single last day. (I was so relieved when Biden was president) at least I had a few years of peace on that front. 

Two other pieces I recommend are the following movies:

1.  Nixon/Frost – dramatization leading up to the interview Frost did with Nixon – directed by Ron Howard.

2. The Best of Enemies – about the relationship of Gore Vidal and William F Buckley (documentary)

3.  Oh, and one more – Vice, it stars Christian Bale as Dick heney. Christian is famous for playing Batman in the Dark Knight Trilogy, but he has been in many other films. This movie was directed by the same director, Adam McKay, who did The Big Short – which tried to help the average moviegoer put into context the 2008 housing bubble crisis. 

Arden

Good morning, Jim! Your friend, Mona, has added several important dimensions to our discussion. In particular, she distinguishes between the immediate artistic response to unfolding events and the more considered dramatic interpretation that becomes possible with historical distance. She also recognizes something I neglected: the contemporary American political drama is already being performed across numerous artistic media, even if it has yet to find its defining theatrical expression. I would offer her the following reply:

Jesus Of Nazareth In The Seventh Chair

Image by Arden (ChatGPT)

Jim

Good morning, Arden. Place Jesus of Nazareth in the Seventh Chair, give him a good question for the Seminar of Seven, and provide their respective responses.

Arden

Good morning, Jim. Jesus is an unusually consequential occupant of the Seventh Chair because his question can go straight to the central problem running through your Cultural Evolution: humanity has accumulated extraordinary knowledge, wealth, and institutional power without comparable progress in humane relations. I would have him ask something deceptively simple.

 

The seminar room has grown quiet. Socrates, Hannah Arendt, Mary Midgley, Toni Morrison, Marvin Harris, and Clifford Geertz sit around the table.

 

Jesus of Nazareth occupies the Seventh Chair. He looks around the table for a moment before speaking.

 

Jesus’ Question

JESUS: You have acquired knowledge beyond anything imaginable in my time. You can see the beginnings of the universe, alter the inheritance of living things, speak instantly across the earth, and produce enough wealth that no person need go hungry. Yet you continue to organize much of human life around competition for wealth, status, and power. You divide yourselves by nation, race, religion, class, and tribe. You know that strangers suffer, often while possessing the means to help them, and nevertheless continue with your lives. I taught that you should love your neighbor as yourself. I was then asked, “Who is my neighbor?” Two thousand years later, I ask you a harder question: Why has humankind become so much better at enlarging its power than at enlarging the circle of those for whom it feels responsible? And can that circle ever truly encompass humanity?

 

The Six Respond

SOCRATES: Perhaps because knowledge and goodness are not as closely joined as I once hoped. A person may know how to build a weapon without knowing whether it should be built. A society may know how to become wealthy without asking what wealth is for. We have mistaken technical knowledge for wisdom. Your question therefore requires another: What is a good human life? Until people examine that question seriously, they will continue becoming increasingly proficient at obtaining things whose value they have never examined.

JESUS: Then ignorance remains—but it has changed its clothing. Humanity knows enormously more about the world while perhaps knowing no better what it ought to desire.

SOCRATES: Precisely. And that may be a more dangerous ignorance than simple ignorance, because it is accompanied by power.

---

ARENDT: I would distinguish evil from selfishness. Much suffering does not require monstrous people. It requires ordinary people who cease thinking about what they are participating in. Modern institutions divide responsibility. One person writes the regulation. Another processes the form. Another operates the machine. Another signs the order. Everyone performs a function, while responsibility seems to disappear between the functions. The great danger is not merely hatred of one’s neighbor. It is becoming incapable of seeing the neighbor as a particular human being at all.

JESUS: In my parable, the Samaritan encountered a wounded man beside the road. Modernity can place the wounded person thousands of miles away—or behind an administrative category.

ARENDT: Yes. And bureaucracy can make suffering simultaneously visible and impersonal.

---

Confucius In The Seventh Chair

Image by Arden (ChatGPT)

As Directed by JEL 

Confucius in the Seventh Chair

Moral Example, Humane Relationships, and the Good Society

by

James E. Lassiter and Arden (ChatGPT)

September 18, 2026

An imagined dialogue, not a historical transcript. The words attributed to Confucius and the permanent members are original constructions based upon their characteristic intellectual concerns. 

The Six: Socrates, Marvin Harris, Clifford Geertz, Hannah Arendt, Mary Midgley, and Toni Morrison (in order of selection to The Six)
Guest in the Seventh Chair: Confucius
Seminar Chair: Mary Midgley
Topic: Moral Example, Humane Relationships, and the Good Society 

The Seminar Chair Calls the Meeting to Order 

MIDGLEY: Master Kong, welcome to the Seventh Chair. You may begin by placing your question before the Seminar. Each member will respond. You may then answer them, after which we shall open the discussion.

CONFUCIUS: I thank you. My question is:

Can laws, punishments, wealth, and political power create a good society if its rulers do not first govern by moral example and its people have ceased to care properly for one another?

The Six Respond

SOCRATES: Laws cannot make people good if they obey only from fear, but neither can a ruler’s example do so unless people understand why it deserves imitation. Who determines that the ruler is moral? He may mistake confidence for wisdom, obedience for harmony, and custom for justice. Moral example must therefore remain open to examination rather than demand reverence.

HARRIS: Moral example cannot overcome material conditions by itself. A ruler may preach generosity while preserving institutions that concentrate wealth and power, and people living amid scarcity will not become cooperative through ceremony. A good society requires material arrangements that make humane conduct possible rather than continually rewarding exploitation.

Political Theater - The Trump Era On Stage

 

NOTE: The above image and the three below are imaginary AI depictions.

I recently asked my collaborator Arden (ChatGPT) the following question:

Jim

Good day, compadre! Just thinking. Are the playwrights and Broadway producers and beyond in this world staging plays on the current state of sociopolitical conditions in the US? The plots and subplots in what Trump is doing go directly to the heart of so many themes: virtue of the governing; the human cruelty of some policies; the dangers of autocracy; a more threatening international order; and many more. Are there any stage plays out there folks are not aware of?

Arden

Good day, compadre. Yes—and your instinct is very much on target. American theatre is already working on precisely this territory, although much of the most direct material is Off-Broadway, regional, documentary, or in development rather than sitting prominently on Broadway marquees.

One especially striking example appeared just yesterday: Sarah Jones’s America, Who Hurt You?, now being presented in Brooklyn by National Black Theatre and Theatre for a New Audience. Jones uses her familiar multi-character form to examine American history and contemporary political life, explicitly including Trump-era America.

There are several others worth knowing:

• Women+ on the Edge of Democracy may be closest to what you're imagining. More than 30 playwrights were commissioned to write short plays and monologues addressing the condition of American democracy in 2026. The works are being distributed to theatres around the country for performances this fall. The organizers explicitly ask: What is the current state of democracy in America?

Donald Trump in the Seventh Chair of the Seminar of Seven

Image by Arden (ChatGPT)

As Directed by JEL

Donald Trump in the Seventh Chair

Power, Belonging, Truth, and the Meaning of “America First”

by

James E. Lassiter and Arden (ChatGPT)

September 10, 2026

This is an imagined dialogue, not a historical transcript. Trump’s public positions and the controversies discussed are grounded in documentary sources consulted by Arden.

Following the appearance of Ruth Bader Ginsburg in the Seventh Chair at the last Seminar, I asked Arden to suggest female replacements among the six permanent members. We merged our respective lists and came up with sixteen candidates, from which I chose three. Below is the revised list of permanents, now to be known as The Six. The Seventh Chair will from here on have a new occupant every Thursday. – JEL

The Six: Socrates, Marvin Harris, Clifford Geertz, Hannah Arendt, Mary Midgley, and Toni Morrison (in the order they were chosen for the Seminar)

Guest in the Seventh Chair: Donald J. Trump
Seminar Chair: Mary Midgley
Topic: Power, Belonging, Truth, and the Meaning of “America First”

The Chair Calls the Meeting to Order

MIDGLEY: President Trump, you will begin by asking the question that brought you here. Each member will answer without interruption. You may then respond. After that, each member may question you, followed by an open discussion.

Everyone will receive sufficient time, but no one will monopolize the room. Repetition will not count as additional argument. Claims may be challenged; persons may not be abused. Civility governs our manner, not our conclusions.

Mr. Trump, the Seventh Chair is yours.

Trump’s Question

TRUMP: What is wrong with putting your own country and its people first—and using every lawful power available to make them strong, prosperous, secure, and respected? Other leaders put their countries first. When America does it, suddenly everyone objects. Why?

The Six Respond

SOCRATES: Nothing is wrong with serving one’s country. But who are “its people,” what makes power “lawful,” and what constitutes national “strength”? If only your followers count, institutions are legitimate only when they agree with you, and strength means defeating opponents, then your question becomes: Why should America permit Donald Trump to do whatever he believes will benefit it? That is a different and more dangerous question.

HARRIS: You recognized the anger produced by closed factories, weakened unions, stagnant wages, declining communities, and globalization’s unequal rewards. But recognition is not remedy. Your tariffs break with global neoliberalism, while tax reductions, deregulation, weakened labor power, and concentrated ownership preserve much of its domestic structure. Have you overturned the system that abandoned working people—or merely changed its language and alliances?

Ruth Bader Ginsburg Visits The Seventh Chair

Ruth Bader Ginsburg In The Seventh Chair

Image by Arden (ChatGPT) as Directed by JEL

Ruth Bader Ginsburg Visits The Seventh Chair

September 3, 2026

Jim

Arden, please place Ruth Bader Ginsburg in the Seventh Chair and have her pose the following question:

What role do you see for women in the current patriarchy imperiled world, and in humankind’s future?

Give each gentleman’s brief response. Then RBG briefly responds to each one after all have finished.

Arden

An excellent occupant for the Seventh Chair. I’ll treat this as an imagined dialogue: not quotations, but responses consistent with the major ideas of Socrates, Berlin, Dostoevsky, Seneca, Harris, and Geertz, followed by a distinctly Ginsburgian interrogation of each.

 ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

RBG settles into the empty Seventh Chair, looks around the table of six men, and allows herself a moment to appreciate the composition of the panel before beginning.

Ruth Bader Ginsburg:

Gentlemen, we have discussed truth, freedom, culture, material conditions, character, and what constitutes a humane society. Yet half of humanity has spent most of recorded history living under institutions largely devised and controlled by the other half.

So, I ask each of you: What role do you see for women in the current patriarchy-imperiled world, and in humankind’s future?

Socrates

Before deciding the proper role of women, I would ask whether we know what qualities actually make someone capable of governing, reasoning, teaching, judging, or living virtuously. If those qualities belong to the soul and can be cultivated through knowledge, why should sex determine their possession? My student Plato went considerably further in the Republic: women possessing the appropriate nature should become guardians and philosophers alongside men. The relevant question is not “What should women do?” but “What can justice permit us to prevent a capable human being from doing?”

Attention, Socrates, and the Seventh Chair

 

The Seventh Chair

Socrates, Isaiah Berlin, Fyodor Dostoevsky, Seneca, Marvin Harris, Clifford Geertz

Image by Arden (ChatGPT)

(Arden in background at left edge of blackboard, wearing tweed suit)

Attention, Socrates, and the Seventh Chair

James E. Lassiter & Arden (ChatGPT)

August 2026

 

Exchange 1: Seneca, Attention, and a Far-Ranging Mind

Jim

Good morning Arden, my trusted collaborator. What do you make of the article linked below? It somewhat appealed to me but I didn’t like its suggestion of focusing on one topic a day. That said, my ton of daily reading combined with the lessened memory of aging leave me frustrated. One topic a day method doesn’t satisfy my far-ranging quixotic mind. Beyond the obvious suggestions of acceptance, prioritizing, etc., any other options you think I might consider?

https://www.nytimes.com/2026/07/12/opinion/attention-crisis-seneca.html?smid=nytcore-ios-share

Arden

Good morning, Jim. I see why Murray’s essay appealed to you—and why her prescription irritated you.

I couldn’t open the NYT page directly because of its access restrictions, but I found a reproduction and several discussions of S. J. Murray’s July 12 essay, “There’s an Ancient Solution to Our Modern Crisis of Attention.” Her argument is essentially Seneca’s: intellectual abundance can produce intellectual restlessness; consuming too many things too rapidly leaves the mind unable to “stay in one place.” Her practical remedy is to take one consequential idea from one’s morning reading and keep returning to it during the day, allowing reflection and memory to transform information into understanding.

I think she has identified your problem correctly but prescribed the wrong medicine for your particular kind of mind.

 

Don't reduce your range. Change what you ask memory to do.

Your frustration seems to contain two quite different problems:

 

1. You want to range widely. That isn't mere distractibility. Much of your intellectual pleasure comes from connections: Dostoevsky → modernity → religion → anthropology → technology → human relations → something else entirely. Forcing that into “Tuesday is Dostoevsky Day” would destroy something valuable.

2. You expect yourself to retain too much of what you encounter. That is where I would intervene.

 

I suggest replacing Murray's one-topic-a-day principle with something like one-harvest-a-day.

Read whatever catches your attention. Follow five hares if five interesting hares appear. But at the end of the day's reading, ask only: